临时性永恒

第六届深圳当代艺术双年展

Temporary Eternity

The 6th Shenzhen Biennale of Contemporary Art

2025.12.04 - 2023.12.07

策展人：杨勇

执行策展人：林润茵、李蕙伊

策展团队：上启艺术

主办：深圳市文学艺术界联合会

承办：深圳市公共文化艺术创作中心（深圳画院）/ 深圳市美术家协会 / 深圳国际文化产业博览交易会有限公司 / 上启艺术

支持：CLC画廊 / 德萨画廊 / 空白空间 / 弄空间 / 墨方 / 清影艺术空间 / 香格纳画廊

本项目由深圳市宣传文化事业发展专项资金资助

Curator: Yang Yong

Executive Curators: Lin Runyin, Li Huiyi

Curatorial Team: Shangqi Art

Sponsor: Shenzhen Federation of Literary and Art Circles

Organizers: Shenzhen Public Culture and Art Creation Center (Shenzhen Art Academy) / Shenzhen Artists Association / Shenzhen International Cultural Industry Fair Co., Ltd. / Shangqi Art

Co-organizer: Shenzhen Longhua District Construction and Promotion Center for Major Regions

Thanks to：CLC Gallery / de Sarthe Gallery / White Space / Nong Space / Mocube / Qingying Art Space / ShanghART Gallery / Shenzhen Cultural Development Promotion Funds

第I象限：生成

本单元聚焦影像、身体介入与即时生成的创作，回应城市中自发的临时空间使用、文化快闪、短期合作与社区行动。

参展人：安宁、胡庆泰、邵安南、王叶子、王韫琛、杨健

第II象限：存续

当“临时”被拉长，它便显露出时间的体积。本单元关注艺术如何通过过程美学与重复的节奏，构建起内在的“时间基础设施”。

参展人：方阳、胡媛媛、黄嘉彦、黄佩姗、李钢、李雅帆、梁宇、刘符洁、欧劲、彭杜、沈少民、宋紫薇、孙澜赫、王子芸、吴丹波、吴丹丹、夏诚安&维乐、谢莉斯、姚志燕、张明慧

第III象限：留痕

通过物的留痕与图像的再现，艺术将飞逝的事件转译为可被阅读的经验与制度时间，使那些在拆除与再建中沉积的、不可见的时间层，得以重新显影。

参展人：陈向兵、程相涵、冯小瑞、顾颖、韩建宇、郝强、姜波、李季、栾重阳、毛矛予、苗瀚文、尚波、沈周来、文祯非、杨晓洋、姚明峰、银坎保、于倩、袁箫、赵晓丹

第IV象限：延异

与十年对话：第1-5届深圳当代艺术双年展回顾

关于无尽：艺术家线上循环问答

Quadrant I: Becoming
Here art is incarnated into a kind of “event”, intervening in the city through its spontaneity and proactivity. It captures and creates Kairos—those fleeting opportune moments, opening a “crack in time” within existing urban framework and rhythm. This section focuses on video, bodily intervention and spontaneously generated creations, responding to the spontaneous use of temporary spaces, cultural flash mobs, short-term collaborations and community-engagement actions within a city.
 

Participants: An Ning, Hu Qingtai, Shao Annan, Wang Yezi, Wang Caison, Yang Jian

Quadrant II: Duration
Having been stretched, the "Temporary" reveals the volume of time. This section examines how art constructs an internal "temporal infrastructure" through process aesthetics and repetitive rhythms. The works acquire a tenacious power of sustaining when the life cycles and forms of the materials and mediums adopted are re-imagined and extended. Looking back at urban society, the logic that justifies the mechanism of rapid consumption and regeneration is, to maintain a dynamic stability in flux—making the “Temporary” a duration. 
 

Participants: Fang Yang, Hu Yuanyuan, Huang Jiayan, Huang Peishan, Li Gang, Li Yafan,  Liang Yu, Liu Fujie, Ou Jin, Peng Du, Shen Shaomin, Song Ziwei, Sun Lanhe, Wang Ziyun, Wu Danbo, Wu Dandan, Xia Cheng’an & Weile, Xie Lisi, Yao Zhiyan, Zhang Minghui

Quadrant III: Trace
Cities and memories are rewritten in constant elapses. Here art plays the role of archiving and reconstructing—not to seal the past, but to regenerate memory. Through the traces left by objects and the reproduction of images, art translates vanishing events into experiences and institutional time that can be read, allowing the invisible time layers deposited in demolition and reconstruction to re-emerge.
 

Participants: Chen Xiangbing, Cheng Xianghan, Feng Xiaorui, Gu Ying, Han Jianyu, Hao Qiang, Jiang Bo，Li Ji, Luan Chongyang, Mao Maoyu, Miao Hanwen, Shang Bo, Shen Zhoulai, Wen Zhenfei, Yang Xiaoyang, Yao Mingfeng, Yin Kanbao, Yu Qian, Yuan Xiao, Zhao Xiaodan

Quadrant IV: Deferral
Here, the “unfinished” is not imperfect, but a fully-charged potential. Art and the city together enter a deferral of time—where meanings keep drifting and forms resist finalization. The eternity of Shenzhen, doesn’t lie in still monotony, but rather grows out of endless fluidity and open oscillation. In their oscillations, art and city jointly form an “ecosystem of time”. 
 

In Dialogue with a Decade: A Retrospective of the 1st-5th Shenzhen Biennale of Contemporary Art
 

On Lasting: Artists’ Online Chain Q&A